string quartet no. 8 

general characteristics

Dvorak’s Quartet in E major heralds the beginning of a series of mature string quartets. While this work is written in a major key, its prevailing mood is gloomy and nostalgic. The music largely moves around in a minor key yet, even when it establishes itself in a major key, its tenor is not entirely consistent nor indeed joyful. In its overall expression, Dvorak looks to his great example, Franz Schubert. This is one of the first works in which Dvorak achieves convincing unity of content and formal excellence, and in which the thematic treatment is honed down to the last detail. The first and fourth movements are written in traditional sonata form with the deviation that the fourth movement does not begin in the fundamental key of E major, but in the unrelated key of G sharp minor. This is an approach Dvorak had already used in several of his earlier works. The character of the second movement anticipates his later dumkas, the only difference being that the piece for the time being lacks a contrasting lively section. The second subject of the first movement also has a distinctly Slavonic flavour. The third movement is a three-part scherzo in the style of a melancholic waltz which, in the middle section, gives rise to a theme with sharp, rhythmical accents.